october online workshop | early registration

BREAKING THE MOLD a two-week online workshop october 1st -17th space is limited registration details below

some topics that will be discussed are: inspiration creativity thinking outside the box finding your style creating strong images building a strong portfolio

participants will receive the following: an honest and intimate look into my photography daily, interactive communication three assignments followed by feedback an inspirational e-book a few special giveaways and more!

details for early registration: 1. this workshop is held via the bloom form & therefore, all participants MUST BE bloom forum members. if interested in registering for this two-week online workshop but are not a yet a member of bloom, you can join the forum (for 3, 6 or 12 months), by clicking the bloom logo below... 2. once a bloom member, EMAIL ME and i will reply with the registration payment link (please include your bloom username in the email). 3. the workshop will run from monday, October 1st - 17th, with posts | interaction daily (except 13th, 14th, 15th will be days off). 4. active seats are $225.00 per seat. 5. silent/read-a-long seats are $175.00 per seat. 6. the private workshop information will be available for one month after the workshop ends. 7. there is also a private section for all past breaking the mold participants, to continue  interacting and sharing with one another.

and here's what a few former breaking the mold participants had to say when the workshop was done:

I am sad that our time has come to an end in your new workshop ‘Breaking the Mold’. I have enjoyed it immensely.

We so often second-guess our instincts and I have learned lately that mine are very loud and rarely go away. It is funny too, I don’t often shy away from it, unless there is fear involved – fear of rejection, fear of not being validated, fear of moving forward, fear of dwelling too much on the past, fear of trying something new, fear of the competition. Your workshop has not only validated me, my strengths, my weaknesses, but it also brought my journey to a whole other level. I hope that I will continue to adapt and transform and ask myself all the questions you asked of us in your workshop. It was fast moving, made me reflect and helped me see things way more clearly. That is a gift.

There are very few people in my life who have truly given me inspiration, made me want to move forward and try something new. But you sure have! You have allowed me to let loose and share in a comfortable and giving environment. You were warm, generous and giving!!! I so appreciated all your candor. In our short two weeks, you have definitely given me confidence, helped me make sense of the issues and doubts I have been feeling for awhile and made me want to be a better me, for my clients and for my family and friends. Everyone needs that someone to get you “unstuck”. Your words, your exercises for us, and your explanation of your own photography has heightened my love and passion for photography so much more than I ever thought possible. - SARA

i’m so sad that our workshop is over, but i just wanted to take a minute to send you a quick note. this was the very first workshop i have ever taken, i had no real expectations. i can tell you that the last three weeks were unlike anything i thought i would experience in a photography workshop… it was almost like therapy for me, really! i am self taught, and have struggled with the mentality that i’m not up to par because i don’t have the piece of paper to prove that i deserve to be here. i finally think i’m starting to see that i don’t need to be technically perfect to be great at what i do. really, i could ramble on forever but i really just wanted to say thank you! thank you for helping me believe in myself, for bringing so much passion and inspiration to me in a short time and thank you for taking the time to teach us all and for being you!! i have never really surrounded myself with a group of my peers, it’s been an amazing ride. – Lila

I can’t thank you enough for your amazing workshop. It went above and beyond anything I had ever expected. I came into the workshop hoping to learn more about photography, I never dreamed of the personal journey it would take me on or the growth I would have. I have come away appreciating my vision as an artist and not worrying about others. Thank you from the bottom of my heart for being so open and honest. I have grown leaps and bounds and look forward to continuing to grow even more. - STEPHANIE

at the lake

let yourself be open and life will be easier. a spoon of salt in a glass of water makes the water undrinkable. a spoon of salt in a lake goes unnoticed. [buddha]

beyond grateful for my week in minnesota and all that it offered me...

questions & answers regarding my underwater shooting:

Q: what camera do you use? A: i shoot underwater with my D700 and 35mm f/1.8.

Q:  do you use a waterproof camera? A: i don't use a waterproof camera (refer to next Q & A).

Q:  what underwater housing do you use? A: i first purchased an equinox housing, but it was way too big and heavy, for the type of photography i was doing. i later purchased an SPL housing, which is what i am currently using.

Q: what are you able to adjust once your camera is in the housing? A: i'm able to adjust aperture and shutter speed, once my camera is in the housing.

Q: were you able to stand while shooting the lake photos? A: i was able to stand some of the time. other times i was doggy-paddling or floating in a tube (so not easy).

Q:  are you wearing any special gear or clothing during the shoot? A:  no special clothing; i wear a bikini and sometimes a rash guard. if i'm shooting in the pool and need to stay underwater, i sometimes wear a diver's weight belt (refer to next Q & A)

Q:  how do you stay down?  do you use weights in shallow water? A:  if i'm shooting underwater, in a pool, i sometimes use a diver's weight belt.  if i don't, i'm pretty quickly floating back to the surface.  when i'm shooting in the ocean or lake, no weights with me.

Q: do you use the lensbaby or filters on these shots? A: i cannot use any other camera or lens in my housing except D700 and 35mm. and no filters.

Q: how do you keep things so sharp? A: same principles apply as regular shooting (out of the water).

Q:  do you do much to your photographs post-shooting? A: no, i don't do much to my underwater photographs in post-shooting. basically just standard post-processing, similar to my regular (out-of-water) photographs. i never add any additional blur, textures, etc.

Q:  my questions are a little different as i'm interested in how you fell into this - if you are open to sharing the images that sparked the idea, any thoughts around the creative experience - roadblocks or challenges you found along the way and how you worked through those to these today.  A:  i'm not exactly sure what initially sparked my interest in underwater photography, but i do know that it wasn't images.  i think it really was just something i wanted to try. my first attempt with underwater photography took place about four years ago when i lived in san diego. i rented housing to do underwater maternity photos of a friend.  while it was definitely challenging, it was at that moment that i fell in love with underwater photography. even back then, i dreamt of shooting underwater in tampa.

it didn't take long for me to purchase underwater housing here in tampa, since we have a pool in our backyard, we're surrounded by water and it's hot as shit half of the year. and i quickly confirmed that underwater photography is not easy!! but i continued to experiment in the water -- shooting of my kids and friends in my backyard pool. recently, i moved into the ocean and then last week, i had the opportunity to shoot in a lake.  i've come to prefer the ocean and lake, to shooting within the constraints of a pool.

some of the challenges / roadblocks with underwater shooting -- it's a bit challenging to adjust settings and things on the camera are hard to see. a lot of patience is required.  i also have a problem with the 35mm lens i'm using, and when the problem occurs, i have to take apart my housing to reset the lens (very frustrating!).  the simple task of getting someone to the ocean or a lake, to shoot, is not exactly easy (i'm about 50 minutes from the ocean). and my dreads. :-) they take forever to dry, so getting them wet often can be a bit problematic.

regarding the creative experience -- for me, the creative process is the same; i shoot no differently in the water than i do out of the water (martha can attest to that, as she was with me the entire week, while at the lake in MN).  it's what's in me. it's how i shoot. it's what i see. and...it's difficult to explain.

if you look at my underwater work over the past year, it's definitely evolving and growing -- and i'm trusting. it will be interesting to see how things feel when i get back in the pool. it will be interesting to see how things continue to progress.  one thing i know is that i absolutely LOVE shooting in the water. i can't help but feel it's exactly where i'm meant to be!!

i'm not sure where the water will take me, but i'm sure enjoying the ride and oh-so-grateful!  you can see more of my recent water images HERE.

Q:  I would love to know if you are ever worried about water leaking in? A:  the first time i put my housing and camera in the water, i was a bit nervous, as i ever-so-slowly submerged it under water.  but now, i do a quick initial dunk, check if any water leaked in -- and start shooting.

+++

if you're interested in purchasing underwater housing, i highly recommend renting one  before purchasing, as many are custom-made, not returnable and NOT cheap (around $2000).  or maybe even play with an underwater disposable camera, point & shoot or casing for your phone first.  for a very casual underwater shooter, i'm not sure expensive underwater housing is the answer.  just my honest two cents.

i'm not sure where the water will take me, but i'm sure having fun and enjoying the ride!  you can see more of my in-the-water photographs HERE.

xox

deb

ETA:

Q: I am wondering what else you need besides the housing for the camera. Do you need specific rings? What if you want to use a different lens. Is it possible? Are you happy with your housing? Have you ever heard of Sea and Sea? I

i don't need anything else besides my housing. if i wanted to use a different lens, i would have to buy a different front piece for the housing, which would cost about $700. i cannot use a different camera, as my housing is designed to fit only the D700. yes, i'm happy with my housing. i have never heard of sea and sea.

inspiration | leah zawadzki

most of you probably already know that leah is one of my dearest friends, but she is also such a huge inspiration to me -- not only in photography, but also in life. leah inspires me creatively.  she inspires me to be a stronger photographer.  she inspires me to be a better wife, mother and friend.  i can honestly say that i wouldn't be the photographer or person that i am today, without leah in my life.  i will forever be grateful for her friendship...and her inspiration.  i have no doubt that she and her work will inspire you too. If I remember right, you’ve been (seriously) pursuing photography since 2005. Obviously your photography has evolved over the years but has your style changed? And if so, in what ways?  It is always so hard for me to answer questions regarding my style.  I have never thought very hard about it—in terms of creating it or making it something.  I have always been asked how I found my style, but I believe style is something that finds you, evolves with you as you grow as a person and as a photographer.  Maybe it’s because I have been a student of Cheryl Jacobs since the very beginning and I’m comforted by her words and her ideals.  I have never been one to force something to happen, to stylize moments or invent myself.  I can only be myself.  To sit back and see, to observe and record, to let go and shoot freely—that’s when I do my very best work, that’s when my style grows and comes into it’s own.   So I can’t say that I think my style has changed much, no.  I think my heart has always been deeply rooted in my work and that is what defines my style. I must admit that over the years I go through periods of hiding it and other times letting it show.  Why would I hide it—because I’m scared to show it to the world, and more importantly to myself.  I think that at the heart of my life’s journey is becoming comfortable with who I am as a person and what I have to give, and crazy enough it’s photography that helps me work through that.

You recently started a ‘fifty-two portraits each’ project.  Can you share a bit about your inspiration behind the project?  I needed to do something—anything to get me shooting my family again.  It’s not that I didn’t shoot them before, but it was so hard.  It was so hard because I always put so much weight on it.  It became so important to get just the right shot because I did it so infrequently.  I also love projects where you can see growth—I can’t wait to see all the photos together at the end of the year.  I haven’t informed them yet, but this might not end.  I might just have to get a portrait a week of them until they are not mine anymore.

A great side effect of this project is what I am getting from it as a photographer.  Not only was I not taking (what I thought was) enough photos of my family, I was shooting less and less in general.  When I first went truly crazy over photography I wouldn’t put the camera down.  Last year it became increasingly harder to pick the camera up.  I have learned that the longer I go without shooting the harder it becomes.  The more I shoot, the more I grow and the more comfortable I am with it.

You also recently began to shoot weddings.  What inspired this and is this a new direction for your photography?  Honestly, I am not certain exactly where my photography will take me—I am still looking for the right fit with my work.  I felt compelled to give it a try.  As I mentioned before, I am not one to fabricate a moment—I enjoy observing and capturing moments as they unfold.  Weddings are perfect for that.  There is something so special about a wedding day, the love, the hope, the dreams—all right there in front of me, just waiting to be captured.

What artists inspire or influence you and why / how?  Oh gosh.  There are so many artists that inspire me or have at one point or another… Le Corbusier, Rothko, Mondrian, Frank Lloyd Wright, Mies Van Der Rohe, Calder, Georgia OKeeffe, David Hockney, Barbara Cole, Cig Harvey, Sally Mann, Mona Kuhn, Mark Tucker, Max Wegner, Hugh Forte….

I think what draws me to these artists is that they are so grounded, so strong.  They all have a great sense of who they are and what they want to express in their art.  They don’t compromise themselves or what they believe in for anything.  And even though I have listed artists across three mediums, there is a common thread that draws me to them—line, composition, color, depth and strength.  As for some of the photographers on my list, I always find it interesting that they are so different then me—the content they shoot, the way they shoot.  Most of them have a vision and then go execute that vision, and as I mentioned I shoot very different then that.  But still, there are qualities to their work that speak to me, that move me and inspire me to create my own work in my own way.

What has been the best part of your photography journey thus far and why?  Connecting with people.  Seeing and getting know people, and not just my clients but my kids too.  As an introvert, I sometimes have a hard time connecting with people.  But when I photograph I make connections I never thought possible.  I am always amazed at how in love I am with my subjects after the process is over—not just in taking the photos, but in selecting and editing the photos from our time together.  In the end I feel so connected—I appreciate them, I feel like I understand them better.  It’s very hard to describe, but it’s like I see a little bit of their heart, and a little bit more of my own heart too.

What is the most important advice would you share with aspiring photographers?  Slow down and get it right.  Bit by bit.  It doesn’t happen all at once.  Be patient and true to yourself.  Shoot what you love.  And most importantly—read the Cheryl Jacob's interview.  Nobody says it better then her.

And last but not least, how do you envision the overall future of your photography?  I am still exploring and finding my way.  I am not sure if I can say I have a big vision of what that will look like exactly.  But I know what it will include—creating work that is honest and meaningful, and hopefully a little bit beautiful.

inspiration | lori vrba

i came across lori vrba's work pretty early on, in my photography journey.  at the time, lori was a commissioned portrait photographer and -- i  absolutely fell in love with her work.  i connected with lori's photographs on a deeper level.  they were so much more than just beautiful portraits; they were raw, intimate, emotional.  then i read on her blog that she was closing her commissioned portrait business, to solely pursue a career in fine art photography.  and that's exactly what she's been wholeheartedly doing since making that decision in 2009.  it's been awesome and so inspiring to watch lori's journey of passion, hard work, dedication, letting go and trust lead to so much success in her photography career.

i knew i loved this woman's work, but after reading her most recent artist statement -- goodness, it just makes me love her (and her work) that much more...

 I was raised in a small, back-woods Southeast Texas town.  I did not grow up with an exposure to art.  I did not have an uncle with a darkroom.  I did not hold a camera until I was a grown woman.  I am a self-taught artist committed to film and traditional wet darkroom printing.  I work intuitively in every creative element of my medium with an acute awareness of what and who has come before me.  My life experiences have brought me to this place where I find myself overwhelmed with the drive to make photographs about who I am...what moves me, what I feel inside, what I believe to be sacred and enduring.  I make pictures to challenge, calm, excite and satisfy my mind and heart.  I share my work in hopes of leaving some permanent, telling mark on the world...that I Was Here.

i asked lori a bit about her photography journey and this is what she had to share...

I've watched and greatly admired your journey from commissioned portrait photographer to fine art photographer.   Can you tell us a a bit how this transition took place?

It was never really my intention to be a commissioned portrait photographer.  I was making my own pictures and other moms began to ask me to photograph their children.  It became a successful business but after several years I finally realized that for me, photography was meant to be something different.  In the beginning, I was determined to understand the camera because I was compelled to make photographs of what I felt inside.  When I closed the business and once again, opened myself up to making my personal work...all I can say is...Joy.  All Around.

What would you say took your work to the next level?   The willingness to be vulnerable.  Technical skill and good execution is important in any medium.  But I believe the photographs that are made from an honest, vulnerable place are the ones that ultimately resonate with people.  Those are the images you can't forget.

How did you come to find representation for your work?  Or did they find you?

Once I had a strong portfolio, I spent a year or two attending portfolio reviews and submitting to juried group shows.  I'm represented in Atlanta, Houston and Santa Barbara and all three found my work through the reviews or juried shows.

There's been some discussion and shall I say, controversy, regarding some of the photographs of children in your projects.  What are your thoughts on this? The short answer is...You can't please everyone all the time.  The real answer is...My three children are a huge part of my work.  My most important "job" is to protect my children and I'm very good at it.  As an artist it is not my job to predict how anyone will experience or interpret my imagery...that is not true art.  Art is self expression...it's not filtered down to satisfy anyone or everyone's psyche.  I am a good mother and an honest artist.  I sleep well at night.

What advice and / or cautions would you give to photographers wanting to take a similar leap from commissioned work to fine art work? Ha...Put on your big-girl-panties because art is not for sissies!  Know that rejection and self-doubt will always be present...no matter how good you are.  There will not be money coming in for awhile...be prepared financially.  If you continue to do both, separate the commercial work from the fine art work for websites, portfolios, etc...two entirely different audiences.

Balance seems to be a topic for so many photographers.  How do you manage to balance it all (wife, mother, photographer)? Balance is over rated.  I am never doing it all well at the same time.  Ebb and Flow.

What artists greatly inspire or influence you?  And how / why? Keith Carter has been my dear friend and mentor for several years now.  We grew up in the same part of Texas so we have similar sensibilities.  His support has been invaluable.  Sally Mann, Robert Parke Harrison, Ralph Eugene Meatyard...there are too many photographers to name.  I am also inspired by music...just about any genre.  I often get project ideas from music.  I love mixed media/assemblage work as well...Joseph Cornell,  Aldwyth.  And honestly, my peers.  Some are wildly successful, some are completely unknown or "emerging"...but to carve out time to be with like-minded people...the ultimate inspiration.

What thoughts or advice do you have for emerging photographers, launching their business within a sea of other photographers? Fine tune your own clear photographic voice.  Your work can reflect your influences but should still be uniquely your own.  It takes time.

How do you envision the future of your photography?  It has been a wild, marvelous ride over the last few years.  I'm breathing it in.  I've never been so challenged or so fulfilled.

inspiration | molly flanagan

i can't remember how i met molly (via the internet), but i do remember that from the moment i came across her blog, i not only fell in love with molly's work, but also her spirit.  not long ago, molly decided to put her photography business on hold, a decision i so deeply respected and applauded (and was sure to let her know). molly's ability to capture the beauty of life and the everyday, along with the way she sees and captures light, is absolutely breathtaking.

i asked molly a few questions and here's what she had to say.  enjoy!

How would you describe your photography style?  I always find it difficult to answer this question.  I just see stuff and take pictures of it.  I kind of feel like I am styleless-- and I don't mean that in a "classic" or "timeless" way.  I wear the same jeans pretty much every day (as long as they are not covered goldfish cracker goo). My hair is usually in a messy knot on top of my head.  And I rarely wear makeup.  I just like to feel like myself-- and I get a little freaked out if I am ever out of my wardrobe comfort zone!  I guess if I had to describe my personal style, it would be "comfortable, unassuming, and functional".  Maybe my photography could be described the same way?  I don't like to manipulate.  I want things to be real.  I don't like fake.

You have such an amazing eye for light and composition.  How did you learn to see both?  Well, for composition, it isn't really something I think much about.  But I do get bored easily and once I have shot something a certain way, I want to look for new ways to see it.  I think being comfortable moving your body around and seeing things from different perspectives is really important to finding interesting compositions.  As far as light goes, this is something I feel like I grow in every year.  It amazes me how each year I see the intricacies of the light in my home differently.  I think that is such a wonderful example of how you can never plumb the depths of creativity.  This journey is never ending-- what a beautifully exciting thing!

Balance in photography is tough and so often a struggle.  You recently decided to put your photography business on hold.  What fueled that decision?  For the last few years photography has been such a HUGE part of what I do with my time and my brain. Even when my business wasn't super busy, my mind was still reeling with ideas for packaging, pricing and products.  Figuring out taxes and budgets and html.  A chunk of my kids naptime, many of my evenings, and much of my thought life was going towards this little business.  And I feel like the things that are truly important... caring for my family, loving my husband, being physically and mentally available to them, as well as using the gifts God has given me to express myself creatively and care for others, were becoming harder and harder to put first. However, I know this talent is a gift from God, and in my heart I so want to use it to bring Him glory. Truly, that is all I want. Whether behind the camera or behind the sink, I want to be available to His call.  Finding that "balance" really IS difficult.  One thing I do know is the good things that come out of my pursuits in photography pale in comparison to the good things that come out of loving God and my family.  So, I felt like it was important for me to actively "let go" of my business.  Oddly, during this process my love for the ART of photography has increasing dramatically.  I have a passion to really have something to SAY with the pictures I take.  I have no idea what is going to happen next, and I can't say that I will never take another paying client, but I feel like I have been... "repotted"... my goals refined.  It has been good.

What artists inspire or influence you and why / how?  Jessica Todd Harper's use of light paired with seemingly boring aspects of family life inspired me to see the beauty in the mundane aspects of my own life.  She also inspired me to pursue my own work in a more fine art style.  Julie Blackmon's Domestic Vacation series gave me a great appreciation for the role details can play in photography and how important they can be to adding depth to a story.  And the composition and storytelling of her Mind Games series-- they are just amazing.  And I love Todd Selby.  His holistic approach to photo shoots influenced my approach to photographing people in a huge way! And finally, Jeremy and Ashley Parsons.  They totally shoot what they see.  When I look at their blog posts, I feel like they are able to hit all of my 5 senses through their photographs.

What has been the best part of your photography journey thus far and why?  I can't believe how much fun I have had!  I've had the chance to meet lots of interesting people and travel to new places.  And photography has been such a great way to process through all of the ups and downs of life with small children.  Really, it has ALL been the best (well, not the paying taxes part and red tape.  That part sort of stinks).

How do you envision the future of your photography?  I just want to shoot things that move me.  I doubt I will ever be a news journalist in a war torn country, but I would really like to focus deeply on some storytelling projects.

What would be your dream photo shoot?  The cast of Growing Pains circa 1987.    

What is one thing that most do not know about you, but might find interesting?  I have one blue eye and one green eye.

What advice would you give to aspiring photographers?  Take lots and lots of pictures.  Shoot what inspires you.  Don't spend too much time living inside your computer.

inspiration | cheryl jacobs

i'm excited to share a few special blog posts while i'm away in africa -- blog posts that will be featuring photographers, who have greatly inspired me over the years. first up is cheryl jacobs (CJ). i met CJ eight months after picking up my camera, when i attended one of her workshops. she encouraged me. she inspired me. she taught me that it was okay to be different...it was okay to be me. and i could never thank her enough for this gift she gave me so early on in my photography journey.

when i asked CJ if she would like to participate in my blog series, she said sure.  so i gave her some questions that she could answer, but also told her to feel free to write about whatever she wanted, if she would rather do that.  and so she did.

i'm thrilled to share these inspirational thoughts and photos from cheryl jacobs...

I got a great compliment from Freddy the sax player last night. I was hanging out at a great old jazz club here in Denver called El Chapultepec. The guys who play there are the real deal, most of them earning their living with their instruments for longer than I’ve been alive. I’ve gradually gotten to know some of them, and they’re the kind of characters who send you running for your camera. In recent months when I’ve dropped by, they’ve asked me to sit in for a song or two. Scary as hell, but not an opportunity you turn down.

Last night, Freddy invited me up to sing a great old jazz standard called Body and Soul. I love that song. I love to close my eyes and get lost in it. When it’s right, it’s magic. You can’t sing that song and not mean it. “My life’s a hell you’re making / you know I’m yours for the taking” – seriously, they don’t write them like that anymore.

And then came the compliment. He looked at me funny and said, “You just don’t sound like anyone else, do you? You got a real unusual voice.”

And now a little background information. When you grow up as I did in the world of church music, with virtually no exposure to any other genre, and with no one to teach you technique, or to give you any real feedback, you end up developing your sound according to what works to your ear. You can’t mimic anyone if there’s no one there to mimic. You can’t copy someone’s phrasing, or their delivery, or their intonation if you’ve never heard it. You learn to sing a song the way you feel it, with no idea whether it’s “right”. Regardless of whether people enjoy listening to it or not, it is honest. (Notice that Freddy didn’t say my voice was “good” or “nice”; he said it was “unusual.”)

(This has something to do with photography, right?)

The scariest thing you will ever do as an artist is to be your honest, flawed self. The one you don’t think people will understand, the one you lock away because judgment would be too painful.

It is so easy to look around us and see what others are doing. Pictures are everywhere we look, bombarding us, even in our own homes. We have the Internet, TV, billboards, packaging, magazines, advertisements, all flashing the latest cool imagery at us. And when they aren’t assaulting our eyes in the course of daily life, we photographers are seeking them out online. (We call it “inspiration.”) We involuntarily compare ourselves with other photographers, and we can’t help but notice which images are getting big public responses, what the “rockstars” are doing, what the trends are. We soak all that information up – and then we’re frustrated that our work looks like everyone else’s. And then we stop loving the process, because it feels meaningless. Because it is meaningless.

The truth is, the only thing you have that no one else has is yourself. Your collection of experiences and values, and your sense of beauty are the only things that can set you apart as an artist. Everything else can be bought, borrowed, downloaded, or stolen.

The magic, the true you or at least hints of it, can be found in the images you love that you don’t share. You know they’re special, and that’s why you guard them. If your work is truly an honest reflection of you, then criticism of your work is actually a criticism of you as a person, right? But if you’re modeling your work after what other photographers are doing, then the criticism isn’t so personal. (If I mold my voice to sound like Ella Fitzgerald’s, I don’t have to take it personally if someone doesn’t like “Ella’s” sound.) Unfortunately, insulating yourself from possible rejection also prevents you from being fulfilled as an artist. I see this all the time during critiques with other photographers; I can always tell when an artist is holding back their best and most personal work. Always.

Here is my challenge to you:

Stop looking at what others are doing. Start looking at the world around you, and the world inside you. Stop shooting with an eye on what you believe others will like, and stop judging the strength of an image by the number of comments and Facebook thumbs you receive. Start creating photographs that are vulnerable enough that they scare you, and learn to be brave enough to share them. And to stand proudly behind them. Start the long and painful process of learning to answer your own questions, and embrace the trials, errors, and frustrations you’ll experience along the way.

And learn that when someone tells you that you don’t sound like anyone else, it is a high compliment.

last day to enter

...our wallflower friends retreat raffle. leah and i are so excited to be raffling off the last seat at our upcoming, april 27th - 29th 2012, wallflower friends retreat [a $1900 value] -- to benefit the children of tanzania and the foundation for tomorrow (TFFT).   see retreat details below and on the wallflower friends website.

PLEASE FOLLOW THESE QUICK STEPS TO ENTER THE RAFFLE: donate $10 HERE be sure to submit your first and last name when donating for every $10 donation, you will receive one raffle entry you can enter as many times as you wish

note: if you are already signed up for this retreat, you are still eligible to enter.  if randomly selected, your tuition will be refunded.

the winner will be randomly selected and announced here on monday, march 26th.

WALLFLOWER FRIENDS RETREAT

WHEN april 27th - 29th, 2012 limited to 13 photographers

WHERE located near half moon bay, california, wallflower friends has reserved the entire seal cove inn for this retreat. set amongst a meadow of wildlflowers and towering cypress trees, this serene hideaway offers a unique and unforgettable retreat setting.

WHAT wallflower friends 2-1/2 day retreat is not your standard teaching workshop; this is a unique retreat for sharing, growing and learning -- through the discussion of photography's creative process and exploration of your unique voice and vision as an artist. some of the topics that will be covered are: being inspired finding your unique style being true to yourself in your art shooting and light workflow and processing being and staying passionate exploring your portfolio

INCLUDES two nights shared-room lodging at the spectacular 14-room seal cove inn instruction by both deb and leah a wallflower friends inspiration photo book welcome appetizers and drinks daily complimentary breakfast and lunch a few fabulous surprises and giveaways

for more information, please visit the wallflower friends website.

breaking the mold with deb & leah | registration open

registration is NOW OPEN for the upcoming breaking the mold online mini-workshop with me and leah zawadzki -- march 12th - 26th.  see workshop and registration details below...

some topics that will be discussed: inspiration creativity thinking outside the box finding your style creating great images shooting with a lensbaby editing simplified building a strong portfolio

participants will receive the following: an honest and intimate look at both deb and leah's photography styles three assignments followed by feedback an inspirational e-book lensbaby and lilyblue actions discount codes and a a few special giveaways

registration details: 1. this workshop is for bloom forum members only. if interested in registering for this mini-workshop, but not a yet a member -- you can join the forum (for 3, 6 or 12 months), by clicking the bloom logo below... 2. once a bloom member, you can then register for the workshop in the 'mini-workshops information' section found --> HERE. 3. the workshop will run from monday, march 12th – monday, march 26th, with posts and interaction daily. 4. active seats are $200.00 per seat. 5. silent/read-a-long seats are $150.00 per seat. 6. the private mini-workshop information will be available for one month after the workshop ends. 7. there is also a private forum section for all past breaking the mold participants, to continue  interacting and sharing with one another. 8. registration is NOW OPEN!

here's what a couple participants had to say about the last breaking the mold online workshop:

I don't feel like I can properly put into words how powerful this workshop has been for me, but I'm going to try. Truly, it has changed me as a photographer and as a person. Throughout our weeks together I have shifted my mindset. I no longer resist calling myself a photographer or an artist. That's what I am and will always be from this point forward. Your guidance and thought provoking questions have made me truly reflect on myself as a person and how that influences my photographic style. I've realized that they are one and the same. Our discussions have made me reach within and trust. Trust that I have vision. Trust that I have skills. And trust that I can bring these two things together to make photographic art. Thank you from the bottom of my heart. – Jen

I just wanted to write and thank you again for the journey that was Breaking the Mold. I'm not sure I will ever be able to fully explain what a difference this workshop has made, not only with my art, but with everything I put out into the world. I came into the workshop expecting to be inspired to shoot more and be more authentic, but I left with so much more...the inspiration and confidence to not only shoot from the heart, but to live from the heart and to be truly authentic in all aspects of my life and work. I am so grateful to you and the other workshop participants for sharing so freely and for making such an experience possible. I would highly recommend this workshop to everyone regardless of where they are in their photographic/artistic journey. – Jodie

all photographs copyright deb schwedhelm and leah zawadzki

breaking the mold with deb & leah | coming soon

i'm super excited to share that i'll be teaching a breaking the mold online mini-workshop with my best friend and incredibly talented photographer, leah zawadzki -- march 12th - 26th.  registration opens this monday! see below for all the details...

some topics that will be discussed:

inspiration creativity thinking outside the box finding your style creating great images shooting with a lensbaby editing simplified building a strong portfolio

participants will receive the following: an honest and intimate look at both deb and leah's photography styles three assignments followed by feedback an inspirational e-book lensbaby and lilyblue actions discount codes and a a few special giveaways

registration details:

1. this workshop is for bloom forum members only. if interested in registering for this mini-workshop, but not a yet a member -- you can join the forum (for 3, 6 or 12 months), by clicking the bloom logo below... 2. once a bloom member, you can then register for the workshop in the 'mini-workshops information' section, found here.  registration will open this monday morning. 3. the workshop will run from monday, march 12th – monday, march 26th, with posts and interaction daily. 4. active seats are $200.00 per seat. 5. silent/read-a-long seats are $150.00 per seat. 6. the private mini-workshop information will be available for one month after the workshop ends. 7. there is also a private forum section for all past breaking the mold participants, to continue  interacting and sharing with one another. 8. registration opens this monday -- february 27th.  seats are limited!

we hope to see you there!

photos copyright deb schwedhelm & leah zawadzki

new & fascinating

i was at the apple store yesterday with my sick computer.  there for a couple hours, chatting with the apple guy, and we got on the subject of photography.  he actually has an art degree and was pursuing photography on the side [he loves working at the apple store].  he asked me if i heard of the new camera concept, where you can select focus AFTER the fact.  i hadn't. so we talked some more. i guess before steve jobs died, he was trying to buy out this company, so he could bring the concept to apple.  it's just fascinating. so what is it? it's a camera, where you take a photograph, and then you or anyone you share the photograph with, can select a focal point anywhere on the image.  i investigated it a bit and the technology uses 11 megarays to capture a living image via a light field picture file [.lfp].  no printing of the pictures right now, just sharing digitally.  but my guess is printing [converting of these files] is around the corner.

the camera is small [1.61 in x 1.61 in x 4.41 in] and light.  prices range from  $399-$499, depending on how many images the camera can hold.

meet the lytro camera...

you can see the kinds of images the camera captures and what the image can do HERE.  just click anywhere on the image and see the focal point change.  so what do you think?  i'm curious to hear what others have to say about this new technology.

keep, protect, share

keep me, protect me, share me...

i will live forever.

such an awesome kodak ad, which i think and hope is going viral right now.  a video from 2005.  and now sadly, kodak files for bankruptcy. but i don't think this will be the end for kodak. or film. just as the impossible project is doing everything they can to keep instant film alive.

the video also has me thinking about the amazing opportunities we now have to capture a photograph -- film, instant, digital, phone, etc. but are yours protected? will yours have the opportunity to live forever? are your digital photographs backed up? have your images come off your phone? off your computer? something to definitely think about. something i personally am passionate about.

mini-workshop registration | now open

registration is NOW OPEN for my upcoming breaking the mold online mini-workshop -- jan 23rd through feb 6th.  see all the details below.

some topics that will be discussed are: inspiration creativity thinking outside the box finding your style creating strong images building a strong portfolio

participants will receive the following: an honest and intimate look at my photography style and business three assignments followed by feedback an inspirational e-book a lensbaby discount code and a a few special giveaways

registration details: 1. this workshop is for bloom forum members only. if interested in registering for my mini-workshop but not a yet a member, you can join the forum (for 3, 6 or 12 months), by clicking the bloom logo below... 2. once a bloom member, you can then register for the workshop in the 'mini-workshops information' section, found here. 3. the workshop will run from monday, January 23rd – monday, February 6th, with posts | interaction daily. 4. active seats are $200.00 per seat. 5. silent/read-a-long seats are $150.00 per seat. 6. the private mini-workshop information will be available for one month after the workshop ends. 7. there is also a private section for all past breaking the mold participants, to continue  interacting and sharing with one another.

and here's what a few former breaking the mold participants had to say when the workshop was done:

I am sad that our time has come to an end in your new workshop ‘Breaking the Mold’. I have enjoyed it immensely.

We so often second-guess our instincts and I have learned lately that mine are very loud and rarely go away. It is funny too, I don’t often shy away from it, unless there is fear involved – fear of rejection, fear of not being validated, fear of moving forward, fear of dwelling too much on the past, fear of trying something new, fear of the competition. Your workshop has not only validated me, my strengths, my weaknesses, but it also brought my journey to a whole other level. I hope that I will continue to adapt and transform and ask myself all the questions you asked of us in your workshop. It was fast moving, made me reflect and helped me see things way more clearly. That is a gift.

There are very few people in my life who have truly given me inspiration, made me want to move forward and try something new. But you sure have! You have allowed me to let loose and share in a comfortable and giving environment. You were warm, generous and giving!!! I so appreciated all your candor. In our short two weeks, you have definitely given me confidence, helped me make sense of the issues and doubts I have been feeling for awhile and made me want to be a better me, for my clients and for my family and friends. Everyone needs that someone to get you “unstuck”. Your words, your exercises for us, and your explanation of your own photography has heightened my love and passion for photography so much more than I ever thought possible. - SARA

i’m so sad that our workshop is over, but i just wanted to take a minute to send you a quick note. this was the very first workshop i have ever taken, i had no real expectations. i can tell you that the last three weeks were unlike anything i thought i would experience in a photography workshop… it was almost like therapy for me, really! i am self taught, and have struggled with the mentality that i’m not up to par because i don’t have the piece of paper to prove that i deserve to be here. i finally think i’m starting to see that i don’t need to be technically perfect to be great at what i do. really, i could ramble on forever but i really just wanted to say thank you! thank you for helping me believe in myself, for bringing so much passion and inspiration to me in a short time and thank you for taking the time to teach us all and for being you!! i have never really surrounded myself with a group of my peers, it’s been an amazing ride. – Lila

I can’t thank you enough for your amazing workshop. It went above and beyond anything I had ever expected. I came into the workshop hoping to learn more about photography, I never dreamed of the personal journey it would take me on or the growth I would have. I have come away appreciating my vision as an artist and not worrying about others. Thank you from the bottom of my heart for being so open and honest. I have grown leaps and bounds and look forward to continuing to grow even more. - STEPHANIE

it's that time of year

...to finish and upload my family's annual book. makes me teary as i look through our family photos from this past year and put together our book. and i so love that my kids look through the books over and over again, giggling as they flip through the previous years' books.  they just happened to be flipping through the books today -- showing me all the pages that bring back memories or simply make them laugh. :-) mmmm...i treasure these books more than i can even express. worth every bit of time it takes to make them!! not to mention, they make fabulous christmas gifts too.

here's this year's layout...

[larger version HERE]

and here's a few of my favorite page spreads...

makes my heart so very happy!!!

ten things

this is just WAY TOO GOOD to not re-post here, originally shared by chase jarvis [whose blog i really need to visit more often]... Here is a list of 10 things I’ve learned the hard way that every photographer, designer, creative–hell, every creative person–should know.

1. Experts aren’t the answer. The blogs, the teachers, the mentors, the seminars aren’t the answer. They’re not there to tell you exactly what you need to know. If they’re good, then they are there to give you some ideas, some guidelines, or some rules to learn and subsequently break. This isn’t about the expert, it’s about you. In creative pursuits especially…what’s going on inside you is where the answers can be found. Hear what experts say, but don’t always listen to them.

2. Clients cannot tell you what they need. Clients hire you because they have a problem. They need a great visual representation of something, a solution. They think they know the best way to photograph something, but they don’t really. That’s why they hire you. Take their suggestions to heart, because they definitely know their brand, product, their vision–perhaps even shoot a few versions of the images they THINK they want to see first–but then go nuts with own vision. Add value. Show them something they didn’t expect. Don’t be a monkey with a finger. Remember why you got hired…that YOU are the badass image maker. If you are good enough to get selected for the job, you should be good enough to drive the photographic vision.

3. Don’t aim for ‘better’, aim for ‘different’. It’s funny how related “better” and “different” are. If you aim for ‘better’ that usually means you’re walking in the footsteps of someone else. There will often be someone better than you, someone making those footsteps you’re following… But if you target being different–thinking in new ways, creating new things–then you are blazing your own trail. And in blazing your own trail, making your own footprints, you are far more likely to find yourself being ‘better’ without even trying. Better becomes easy because it’s really just different. You can’t stand out from the crowd by just being better. You have to be different.

4. Big challenges create the best work. If you get assignments that are pushing your vision, your skills, then awesome. Kudos to you, keep getting those assignments. If you’re not getting those assignments, then you need to be self-assigning that challenging work. Give yourself tough deadlines and tougher creative challenges. You do your best work where there is a challenge that is clearly present and 10 feet taller than you think you can handle.

5. Aesthetic sensibilities actually matter. Go figure on this one… I’m constantly surprised as how much this is overlooked. Read this and believe it: You must develop a keen understanding of design, color, light, and composition. To just say “I know a picture when I like it” isn’t going to get you anywhere. You need to know –for your own sake as well as the sake of your clients who will ask you– WHY a photo is a great photo. WHY is this one better than that one. If you don’t have any visual vocabulary, opinion, or aesthetic sensibility you won’t be able to explain these things. You won’t get the job. Or if you do get the job, you won’t be able to explain why your photos are worth getting hired again by the same client for the next campaign, story, or video. Trust me on this. Develop a sense of visual taste.

6. Simple is good. Almost every photo that is bad has too much information. Outside of technical basics, the number one reason that most photos fail is because there is no clear subject. Often this is the case with design, film, fashion, you name it. Remove clutter, remove distraction. Tell one story, and tell it well.

7. Make mistakes, learn quickly. Simply put, you need to be able to learn from your mistakes. Avoiding failure is not the goal. The goal is recovering from mistakes quickly. That goes for ever element of your photography–creative, business, vision…you name it. If you’re not willing to make mistakes, you’ll be paralyzed with inaction. That is the devil. Get out there and do stuff. If it works, do more of it. If it doesn’t work, change it. Quickly.

8. “Value” is different from “price.” Don’t compete on price alone. That is certain death in any creative field. Focus on delivering value and price yourself accordingly. If you deliver great value with your images — better than expected, and better than your competition– and you can illustrate that through any means, then you should be more expensive. And remember that value comes in many forms.

9. A-Gamers work with A-Gamers. If you are good at what you do, then you work–or seek to work–with other people who kick ass too. If you suck, then you put yourself around sucky people to feel better about yourself. If you want to be the best, seek to be around awesome people–be it other artists, assistants, producers, clients, partners, whatever. Shoot high. Shoot for better than yourself.

10. Real artists create. Do you just sit around and think of stuff you could create, photograph, build, ship, or design, but never output anything? Then you’re a poser. Take a new approach and make stuff. Maybe what comes out of your studio isn’t perfect, but there should always stuff leaving the door and hitting the web, the page, the billboard, the gallery, or the street. If you are for real, you’ll be pumping out work on the regular.

There you go. Now don’t just read this list, KNOW this list.

[This list was unabashedly, profoundly inspired by my pal Guy Kawasaki's article "What I learned from Steve Jobs." If you like this version that I've adapted to and reworked to be creative industry/photography centric, you'll still love Guy's version here.]

be great listeners

understand and be empathetic to the truth of who they are. understand their soul.

mmmm... i love his words so much.

thanks chase charvis for such a great share.

being a gypsy

i just discovered this photographer, iain mckell, via a friend's pinterest board.  and his the new gypsies series takes my breath away. i connect so deeply with this photograph...

copyright iain mckell

what is it?  the fact that i feel the image is so soulful?  or maybe that i i think, this could have been a photo of me...IF i grew up as a gypsy.  and i wonder, is it as fabulous as i think it might be...growing up as a gypsy?  living the gypsy life? there's a part of me that so longs to throw all our shit away and just be gypsies.  just be free.  to be.

i'm in a bit of a funk right now.  it happens from time to time.  and with that said and the busy craziness of fall approaching, i thought it was a perfect time to get this powerful and motivational video recirculating.

another mini-workshop | aug 8th - 21st

i'm super excited to share that i'll be holding a SECOND online breaking the mold mini-workshop via the bloom forum -- august 8th - 21st.  this workshop is for bloom forum members only -- so if you're interested in registering for this workshop, the first step is to become a bloom forum member. workshop registration now open!! please refer to details below on how to register.

to become a bloom forum member or for additional information, please click the bloom logo below...

i am so, so grateful for another opportunity to teach and share. i can't wait!!

this is what a few of the previous workshop participants had to say about my breaking the mold workhsop...

I can't thank you enough for your amazing workshop. It went above and beyond anything I had ever expected. I came into the workshop hoping to learn more about photography, I never dreamed of the personal journey it would take me on or the growth I would have. I have come away appreciating my vision as an artist and not worrying about others. Thank you from the bottom of my heart for being so open and honest. I have grown leaps and bounds and look forward to continuing to grow even more. - Stephanie

i'm so sad that our workshop is over, but i just wanted to take a minute to send you a quick note. this was the very first workshop i have ever taken, i had no real expectations. i can tell you that the last three weeks were unlike anything i thought i would experience in a photography workshop... it was almost like therapy for me, really!  i am self taught, and have struggled with the mentality that i'm not up to par because i don't have the piece of paper to prove that i deserve to be here. i finally think i'm starting to see that i don't need to be technically perfect to be great at what i do. really, i could ramble on forever but i really just wanted to say thank you! thank you for helping me believe in myself, for bringing so much passion and inspiration to me in a short time and thank you for taking the time to teach us all and for being you!! i have never really surrounded myself with a group of my peers, it's been an amazing ride. - lila

I am sad that our time has come to an end in your new workshop 'Breaking the Mold'. I have enjoyed it immensely.

We so often second-guess our instincts and I have learned lately that mine are very loud and rarely go away. It is funny too, I don't often shy away from it, unless there is fear involved - fear of rejection, fear of not being validated, fear of moving forward, fear of dwelling too much on the past, fear of trying something new, fear of the competition. Your workshop has not only validated me, my strengths, my weaknesses, but it also brought my journey to a whole other level. I hope that I will continue to adapt and transform and ask myself all the questions you asked of us in your workshop. It was fast moving, made me reflect and helped me see things way more clearly. That is a gift.

There are very few people in my life who have truly given me inspiration, made me want to move forward and try something new. But you sure have! You have allowed me to let loose and share in a comfortable and giving environment. You were warm, generous and giving!!! I so appreciated all your candor. In our short two weeks, you have definitely given me confidence, helped me make sense of the issues and doubts I have been feeling for awhile and made me want to be a better me, for my clients and for my family and friends. Everyone needs that someone to get you "unstuck". Your words, your exercises for us, and your explanation of your own photography has heightened my love and passion for photography so much more than I ever thought possible. - Sara

ETA | THE DETAILS: 1. This workshop is for forum members only therefore you must be a member of the forum to take the workshop. If not already a member, click the above bloom logo and click JOIN to sign up. Once a member, you can sign up within the bloom forum, under the 'Mini Workshops Information' section. 2. The workshop will run from Monday, August 8th – Monday, August 21st. 3. active seat | $200.00 4. silent (read-along) seat | $150 5. Registration is NOW OPEN inside the forum!

unapologetically me

last night, i watched this documentary...

i've loved sally mann, from pretty much day one, of photography. i love her even more, since seeing her documentary. she's truly such an amazing artist. she makes no excuses. she photographs what she loves. what she is deeply connected to. what she is passionate about. her children. her husband. her animals. her land. and yes, death.

there was a time when i worried about what others thought about my work. but more and more every day, i feel that the work that i produce is unapologetically me. you can take it or leave it. but i'm passionate and proud of what i do and the photographs that i produce.

i almost ditched the above images.  i'm beyond thankful i didn't!!

i woke up to foggy windows.  couldn't stop thinking about them.  hours went by.  i looked and still foggy.  the moment was not only there, it remained. so i asked sky if she'd do just a couple photos with me --

it will be fast.  i promise.  you can stay inside.  you just have to look out the window.

so i shot a few photos.  maybe a minute.  five frames at the max.  and thought, oh well...i guess my creative spirit wasn't with me today. i was so frustrated that i almost deleted the photos right then and there.  but i didn't; i put my camera back in my bag.  a few days went by and i thought about formatting my card (deleting the above images) but didn't.  i uploaded them today and well...i LOVE the above photos of sky.  they are...unapologetically me.

p.s. i wonder if sally mann would allow me photograph her family? maybe one day, i could knock on her door and ask her. not sure how i'd find her house. who knows...maybe someday, somehow.

goodness, i love sally mann. always have. always will.

do what you love

holy crap, this is so good!!

do what you love. do what you're about. and you will kill it. you will win. - gary vaynerchuk

thanks david duchemin for the awesome share.

p.s. i did see someone comment about the fact that sure this guy walked away from his wine business, but he probably did so as a millionaire.  regardless, he has a great message and is dynamic as hell.

strong and paranoid

vivian maier. the pre-production trailer is out -- a teaser of what is to come. and i so fricken can't wait till this documentary.

Trailer: Finding Vivian Maier from John Maloof on Vimeo.

she's a riddle. you don't know what is really behind everything. - maren baylaender

i love that. i can't wait to hear and learn more about her.  gives me chills to think about what she would think about all of this, if she was still alive.