should you

...work for free? if you haven't seen this yet, it's a funny read. but not really. it's something to REALLY think about as you contemplate doing business for free. i definitely have my opinionated thoughts about doing complimentary work and those attending the wallflower friends retreat will be hearing about some of those thoughts soon. :-)

created by jessica hische | view the original, larger version here

also... a great little interior design blog post here on when "fine art meets family portraits".

and since i love to include photos with my posts, here's a few favorites of my kids from the past five years...

can't help but mention that in the shot above, it was the first day ryder was potty trained (wearing big boy underwear), he scribbled all over himself and had sky's ponytail holders on, which we called his 'wonder boy bracelets'. sigh...where does the time go?

portfolio questions answered

after my initial portfolios post, i started receiving some emails / questions regarding portfolios, so i decided to answer those questions here... i am always stuck on getting all my images to look the same. like i see many other photographers accomplish... Do you edit all your images the same?..or do you let the image determine how you edit (if you edit at all). Do you think it is important for the consistency or rather letting the image stand out, even if that means it does not "look" like the others..

very rarely do i edit the same; my editing changes with time and often is affected by my mood.  however, i will try to edit a single client session similar or at least make sure that it flows and is cohesive.  and yes, i absolutely let the image determine how i will edit it. i like to say that i feel the image.

i believe that each and every portfolio image is independent of one another and so i don't worry about images within my galleries looking similar or flowing.  i hope they are cohesive though -- in being honest with my portfolio selections, i hope they all look like me [my photography], which lends to natural cohesiveness.

What do you think is a good number of images for a website gallery?

i don't think there's a magic number to the amount of images for a website gallery; however, you do have to be careful of too many.  how many is too many? i'm not sure.  i guess this is really artist dependent.  i try to keep in mind that i don't want to overwhelm my prospective clients.

I notice you seem to integrate more artistic images very well - I have a hard time with this, and I'm not sure how well my own site/portfolio flows. What are your thoughts on combining artistic projects and portrait work?

i have my projects and portrait work in separate groupings [portfolios & projects] on my website; however, that doesn't mean i don't have artsy images within my portrait galleries.  for me, i have absolutely no problem mixing my images. in the end, whether artsy or not-so-artsy, i hope they are both strong and both scream me. i don't think there's a right or wrong answer as to combining or making separate. sometimes  you just have to play and do what seems to work best for your artistry and your website. i do have some images that i love that just don't flow on my website portfolio and so they are not there. for example the images below. i absolutely love them but i don't think they work on my current website | portfolios. but that doesn't mean they won't in the future, as i'd love to begin photographing more in client's homes.  if that was the case, maybe these photos could be part of my online portfolio.

I was just going through your portfolio (love!) and noticed your kiddos were on there. Someone (can't remember who??) once told me not to put my kids photos on the portfolio. I can't even remember why?? Anyway.. I took that to heart and have like 2 photos of my girls on my portfolio. I used to have a section called 'Mine' with my fave photos of my girls.. but got rid of that too. What are your thoughts on this? Some of my fave photos are of my own kids... but then perhaps it is just my own bias because I am so emotionally attached to them.

i think there is NOTHING wrong with having your own children on your website (obviously).  however, i do want to caution you on mommy goggles. every mom photographer knows what i'm talking about -- those images that might not be as strong as others but we have a hard time seeing that because we're emotionally attached to the image because they're our cute kids. just make sure that the images of your kids that you're putting on your site are strong and what you want to shoot with your clients. if you're not sure, run the image by a friend, who will be honest with you.

I hear the needing to keep portfolio images in one easy to access place. I’d love to hear more about how you organize this.

i think portfolio organization is so important. i have a 'portfolio' folder. within that folder, i have a 'high res' and 'low res' folder. and that's it. you're organized. the reason a high res folder is a must is because over time, your website will probably change. with a new website comes new sized web images. if that's the case and your organized, you simply go to your 'high res' folder and batch process the high res files to the new web size needed.

with that being said, my 'high res' folder (10x14 at 300 dpi) is very fluid -- images come and go. if i'm on the fence about an image, i might just leave it there. if i know the image no longer speaks to me, i remove it from my portfolio folder.

also, i recently switched to lightroom and imported all my high res portfolio images and tagged them with the word portfolio (keyword). now, as i shoot a new image that i want in my portfolio, i add the portfolio keyword and then export it to my high res and low res folder.

the key is having all your portfolio images in one place, for easy access.

How do you keep all your portfolio images organized, categorized and sorted so you can find and refer to them easily. I love so many and typically forget I own them or where they are. I am referring to digital and Polaroid.

having my portfolio images in one folder is enough to keep them organized, categorized and sorted.  you really shouldn't have thousands of images in your portfolio.  or even hundreds for that matter (IMO). i do have separate portfolio folders though, e.g. 'portfolio client', 'portfolio polaroid', 'portfolio dress', etc.

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if you have a portfolio question, feel free to add it in the comments and i'll do my best to answer in an ETA section of this post.

wonderment

it's what i don't capture enough of...my kids' every day wonderment. their every day life. their every day everything. one of my goals, wishes, hopes, desires, dreams this year is to photograph more of our real life.  i started to do it last year but it became more of a project (series aspiration) and only lasted one month until i became paralyzed. this year, i want to remove all pressure and just shoot for the beauty of capturing glimpses of their every day. because you know what...it really is magical.  and when it comes down to it, it's what i'll long for in the end.

this was ryder yesterday, in his fort, which he was so, so proud.  a treasured image...one that is destined for the pages of my 2011 annual book.

and then there's this one, taken last night, of sky -- all dolled up, to include eye shadow and lip gloss, and ready to go to her friend's 8th birthday party sleepover.  shot at night at 3200 ISO.

portfolios

ask anyone who knows me...i have a thing about website portfolios. and here's some of my pretty opinionated thoughts... clients come to your website to get an idea of who you are as a photographer and the photographs you produce. they want to have a thorough understanding about what they're potentially going to invest in. and therefore it's important for you to have an honest and up-to-date representation of yourself and your work. your portfolio is your business' first impression. and shouldn't you have that first impression be the best it can be?

nothing frustrates me more than when photographers say they they don't have time to update their portfolio. especially for years!! for me, updating my portfolio is not even an annual thing; it's ongoing throughout every year. my prospective clients deserve that. they deserve to know exactly what they're getting if they choose to invest in me, as their photographer.

and i hope that anyone i have photographed over the years would say that i have an honest representation of my work on my website.

so as we start this new year, PLEASE consider looking through and updating your website portfolio. and then consider continuing to update throughout the year.

here's a few photographs that i just added to my portfolio. and with that, a few others that didn't feel quite right any longer, were removed.

and a couple oldies that just made it back into my portfolio.  that's the beauty of portfolios; your loves, tastes, editing, etc. -- it all changes over time.

ETA:  i just had another thought.  i've heard from some photographers,

if they [clients] want to see updated photos, they're on my blog.

well if that's the case and that's the route you want to go, get rid of your main website. again, if you have a site AND a blog, take responsibility for both of them. your client doesn't know what you're thinking; they just know what they see.

lastly, keeping your high-res portfolio images organized and easily found will greatly help in portfolio management, access and updates.  trust me! :-)

CA model(s) needed | feb 13th

our wallflower friends winter retreat is quickly approaching and i'm looking for child and family models.  optimally, i am looking for a family with two girls, who can take direction and are not shy of the camera.  or i could work with one family and then two girls, ages 5-12 (two girls could be from same family or different). the session will begin with the family and progress to lensbaby photos of the girls (see photos below) and be approximately an hour long (start time 4:30 PM).

the shoot location will be at the 29 palms inn, twentynine palms, california.  there is no session fee and models will receive complimentary high-resolution digital files of all edited images.

please email me the following information if interested: name ages of child(ren) recent photo of children and / or family (within past two months)

and feel free to email me with any and all questions.

how my brain works

i was twittering yesterday about how i'm so inspired to shoot polaroid right now.  and proceeded to purchase packs of film for my treasured SX-70 polaroid camera.  i then emailed back and forth a with a friend about inspiration. my brain is usually a mile a minute. always has been. probably always will be, although now that i'm older, i find that if i don't write things down, i forget.  i guess that complicates things a big.  but it's the way i work. i'm usually thinking about 20 (or more) things at once. and my body usually follows suit. it often drives leah, who i talk to about five or so times a day, crazy because while we're so similar in so many ways, the way our brains work is so very different. i often flip-flop from topic to topic in one short conversation and she will usually tell me,

i'm not at that place to talk about that right now.

and so i've learned and now our conversations go more like this,

when you're at the place to talk about XYZ, we need to talk about that. we both laugh. she says okay and we later get around to talking about XYZ.

so with that rambling, let me get back to inspiration. i feel that inspiration filters in the same way my brain works and it is often overwhelming. i want to shoot polaroid. i want to try film. with this camera. and that camera. or maybe i should just start playing with my iphone camera more and see what i can create. i want to try this idea. and work on this series. and that idea too. and the list goes on and on. and on and on. to the point that i somewhat paralyze myself, my shooting and my inspired self.

i haven't quite figured out what to do about all this, except maybe writing down everything i want to do and try and am inspired by. and tackle it like i do my to-do lists. circle the priority or two on said inspiration list and commit to following through. i don't know if it will help but it's worth a try. focus my artistry as i am trying to focus my personal life and get things done.

or maybe just try yoga because i hear it's pretty awesome and it might calm my mind a bit. for the moment, the thought of yoga still scares me (that i can't calm my mind).

i know i'm not alone with this. if you struggle with similar or have thoughts on this, please share. i'd love to hear about it.

here's a polaroid of sky i took as we headed out the door to school yesterday.  definitely more polaroids in the near future.  i can't tell you how happy my heart is with that darn camera. one of these days, i'd love to incorporate polaroids into my client sessions.  i definitely have ideas regarding a polaroid add-on package.  just have to get comfortable with the new film that the impossible project is putting out. there's something magical about polaroid.

our role in history

a couple weeks ago, steph shared this amazing photograph with me (beyond the obvious capture of the moment, there's such awesome timing and composition). the photo was taken mid-february 1975, when mike (steph's husband) was about 10 weeks old. mike's dad, bill, was coming back from a six-month deployment on the USS independence, where bill was an A7 corsair II jet pilot, doing his department head tour.

and then there's this photo, taken december 18th 2010 of mike's homecoming, from being deployed six months.  he, too, met his baby for the first time, at 10 weeks old.  and mike, too, is a fighter pilot, who was doing his department head tour.

i feel so incredibly blessed to have captured this image for the beaty family.  hopefully it will be a photograph that will be treasured and passed down for generations, just as above photo from 1975 has.

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my friends and i have talked a lot about photographs and their role in history, especially those coming from professional, editorial, etc. photographers. what's real? what's not? what has been altered? what's been added? the thought of photographers altering the photographic documentation of history is upsetting.  are they documenting history at all? or creating their own history, in a sense.

although i have to admit...sadly, i am guilty.  i'm not sure my kids have many photos that haven't been altered in some way (contrast added, a pimple removed, etc.). and yes, that makes me sad. damn it.

hmmm...maybe that's an idea to start this year.  in my family's annual book, i will include at least one completely unaltered photo of each of my kids.  i like the idea of the photo being of them non-smiling.  just them being them. kind of like this...

found via pinterest.  amazing, huh?!! quite a brilliant idea. i couldn't find the exact source for the above photo collage, but when i clicked it from my pinterest, it took me to this blog.

yes, i will definitely do that. at least one photo. it's a start. and i think i'll make that one photo film.

ETA: my sweet friend, erin, just posted a comment about the 'perfect shot' and i can't tell you how guilty i am of that so i wanted to add here.  i long to let go. to be free. it was actually one of my monthly resolution topics -- LET GO (being less perfect) -- to capture the everything just the way it is. stepping back and capturing more of the scene is something i am going to really try and work on this year. thanks for sharing erin. love you friend.

a remarkable story...

a remarkable newly discovered collection of photographs. if you haven't seen, heard or read about vivian maier's story, please take some time to view the chicago tonight news clip (attached below) or you can read the story here, on chicago magazine. talking about the right person being in the right place at the right time.

self-portrait of vivian maier, from the john maloof collection

to think vivian maier's talent and photographic work is just now being discovered is crazy. her eye as a street photographer was amazing, in my humble opinion.  i can't wait to see how this all continues to unfold. and i hope one day to attend one of her exhibitions.

also, kickstarter has been collecting money to fund a feature length documentary film on vivian maier.  while it's already been fully funded, they're continuing to collect for another 70 days.  if you pledge a certain amount, you will receive a copy of the completed film and | or a copy of the book.  i pledged.  :-)

truly amazing!

december 16th

if i lived in new york or close to new york, i'd SO be going to this closing reception on december 16th -- art from the heart. purchase admission in advance for $100 and you get... admission for two your choice of photograph on display (first come, first served) open bar

only 100 of these special admission tags are available for purchase.

i hope someone i know will go so they can tell me all about it.  such an awesome opportunity to see the work on display and then return home with one of the pieces.

art from the heart closing reception december 16th | 8:00 PM DRIVEIN24 studios 443 west 18th street new york NY 10011

maybe they'll have another one while i'm shooting in new york this summer.  i would absolutely love to attend such an event!!

being social

most know about the beauty and power of social media... facebook twitter flickr blogging etc.

the list really goes on and on. but not long ago, i discovered pinterest and i think it's the greatest thing ever. a place where anyone can go and be inspired. about anything their heart desires. the terrible thing is that it's terribly addicting. but seriously...such a fabulous place to explore.

while on the topic of social media... at my rossfit christmas party the other night, i was talking to a new friend about blog reading. she shared about how she hops from favorite blog to blog. so i mentioned google reader, which she had never heard of. if you frequent blogs, i highly, highly recommend something like google reader.  it will save you loads of time (although maybe not because you might just start following twice as many blogs...or more).

and since i really don't have a photo to fit the theme of this post, i'm sharing this one... because i'm so excited to see this amazing and special family next week.  i'm seriously about to burst.  they are such a gift in my life.

steph was one of my very first clients in 2006. this baby is now four years old and they have two more added to their bunch :-))

remember who you are

emily -- a previous workshop attendee, a client, my friend -- inquired the other day about purchasing a remember who you are print.

me: of course. emily:  i'd like to order a 20x20 print. me:  really? emily:  of course.

i had never printed one of my polaroids 20x20 before but she had. she printed this one that i took of lulu, during their session a few months ago. and now, the two will hang side by side in her house. i so can't wait to see.

after i placed the order, i shared the story of the remember who you are polaroid with emily and thought it would be fun to share here too...

a few years back, i attended a mary ellen mark workshop in venice beach, calif. the weekend was beyond amazing. not only did i get to listen to mary ellen mark speak and have my portfolio reviewed by her, i got to each breakfast and dinner with her all weekend (we just happened to be staying in the same hotel). just she and i sharing. it really was a dream come true because she (and sally mann) have been huge inspirations for me, from the very beginning.

so...as i headed back to san diego in the pouring rain, i passed the remember who you are painted on a garage door in an alley. i drove by. stopped. and backed up to take the polaroid. as i drove away, i prayed that it was going to turn out (i have PLENTY of polaroids that have not).

i can't help but think it was all meant to be.  the polaroid is and always will be one of my favorite images ever.

both images courtesy of emily corey

i think i'll share a bit more about shooting polaroids tomorrow.  i've been getting emailed a lot of questions lately. believe me...i'm no expert but i'm always willing to share my personal experience.

ETA: i really am longing to own a mary ellen mark print.  and when i was looking through her work today, i came across this one. oh my. it's just fabulous. a print that i think i'll appreciate more and more and more over the years. :-) © mary ellen mark

being true

jasmine's blog is in my google reader and today, she blogged about selective clientele.  while her post is geared towards brides, her words are applicable to any and all commissioned photography.   she writes:

Each component of my brand--both personal and professional--does one of two things: 1. Attracts - Makes a prospective bride like me more (perhaps she likes dogs, chocolate, reality tv, and falafels as much as me) 2. Repels - Makes a prospective bride dislike me (perhaps she likes celery, Chekhov, and crocheting by the fire)

If you're trying to work with clients who fit your personality like a glove, here are a few things to consider... 1. Ensure your website is a true reflection of WHO you are, not WHAT you do. 2. Embrace the personal perspective of your business and showcase that perspective. 3. Showcase the type of imagery you want to always shoot (e.g. I want to shoot fun people, so I showcase fun/silly/laughing photos). 4. Educate prospective clients. (e.g. I want my brides to do a First Look, so I explain the importance and value). 5. Be personal. Yes, this means making yourself vulnerable. If people don't like you, who cares?! Be true to you...and those who love you will become you're biggest fans.

i absolutely love all jasmine shared and couldn't agree more.  be true to yourself.  be true to your clients.  in the end, you both will win.  they'll get the right photographer; you'll get the right client.  i hope my clients would say that i do this well...because i definitely try!!

so powerful

this takes my breath away. i don't even know what to say other than that at this moment.  i'm pretty much speechless. © david jay

the SCAR project

The SCAR Project is a series of large-scale portraits of young breast cancer survivors shot by fashion photographer David Jay. Primarily an awareness raising campaign, The SCAR Project puts a raw, unflinching face on early onset breast cancer while paying tribute to the courage and spirit of so many brave young women.

Dedicated to the more than 10,000 women under the age of 40 who will be diagnosed this year alone The SCAR Project is an exercise in awareness, hope, reflection and healing. The mission is three-fold: Raise public consciousness of early-onset breast cancer, raise funds for breast cancer research/outreach programs and help young survivors see their scars, faces, figures and experiences through a new, honest and ultimately empowering lens.

The SCAR Project subjects range from ages 18 to 35 and represent the often overlooked group of young women living with breast cancer. (Breast cancer is the leading cause of cancer deaths in young women ages 15-40). They journey from across America and the world to be photographed for The SCAR Project. Nearly 100 so far. The youngest 18.

Although Jay began shooting The SCAR Project primarily as an awareness raising campaign he was not prepared for something much more immediate . . . and beautiful: “For these young women, having their portrait taken seems to represent their personal victory over this terrifying disease. It helps them reclaim their femininity, their sexuality, identity and power after having been robbed of such an important part of it. Through these simple pictures, they seem to gain some acceptance of what has happened to them and the strength to move forward with pride.

david jay | photographer

steve's mom died of breast cancer when she was 40.  steve was five.

you can view a temporary, crazy powerful, emotional gallery here.

and you can find the SCAR project's facebook page here.

living creatively

if i only scrape a living, at least it's a living where i'm scraping. if there's no future in it, this is a present worth remembering.

for fires of happiness and waves of gratitude. for everything that brought us to that point on earth at that moment in time, to do something worth remembering with a photograph, or a scar -i feel genuinely lucky and hand on heart say i love doing what i do. and i may never be a rich man, or live long enough, then sadly i have a tale or two for the nephews. and i dig the thought of that. - mickey smith | photographer

More Surfing Videos

saw this on my friend, heather's blog. A-MA-ZING!  the photographer - film combination is breathtaking.  i just had to share here.please take the six minutes to watch, listen and be inspired!!

the dark side of the lens (about surfing photographer mickey smith | filmed by astray films) was part of a project called short stories, established by the UK's relentless energy drink. the project challenged filmmakers to create short films that explored the lives of artists. you can see more incredible short films here.

unfortunately mr. smith's new website is coming soon. you can find his blog here.

p.s. be sure to check out heather's work too. she's not only an awesome photographer, but an equally incredible person.

a purple cow

on my flight to / from LA, i read an awesome book called purple cow by seth godin.  it's a book i highly recommend about transforming your business by being remarkable.  it's not specifically about photography, but rather businesses in general.  the book definitely gets you thinking. mr. godin shares...

my goal in purple cow is to make it clear that it's safer to be risky -- to fortify your desire to do truly amazing things. once you see that the old ways have nowhere to go but down, it becomes even more imperative to create things worth talking about.

and then i read zack arias' blog post (i swear i connect with everything that man posts) about film maker, brandon mccormick (whitestone motion pictures), and his upcoming major short film -- the candy shop.

oh my gosh. chills. scary. wow. i can't wait to see. REMARKABLE. an absolute purple cow.

and i found this awesome video on you tube. six minutes...so worth watching. truly inspirational.

the in between

between two school (class) auction photo books, workshop prep and deads and dress photos, my spare time has been slim to none. oh yea, that doesn't include plumbing problems, etc. anyways...i thought i'd share a bit of what my time has been consumed with lately -- first, check out this second grader's writing and drawing about what he wants to be when he grows up. OMG!! be-still my heart.

and here's my kids' book spreads this year.

Sky wrote:

i whant to be a veternarien beacuse I love animuls.  And I whant to be a photogerpher beacuse I like taking pictures.  And beacuse I like meating other people.  And seeing things I never saw before.  I also want to be a vetunarein beacuse I want to help animuls when they are hurt.  I want to be a dacer and singer beacuse I always love bacing and singing every singgul day.

Skyler, 7 years old

Ryder said:

When I grow up, I want to be a policeman and a artist because I always like to do art and I don't know about the other.

Ryder - 5

lastly, check out these incredible women -- a few of the shots i photographed of the crossfit jaguar women, for the deads and dresses contest. i'm hoping that a photographer friend of mine will do my pictures once i'm back from the utah. but of course, i have to get the perfect pair of socks first. :-)

and my most awesome trainer, who has inspired me so!!

auction projects

i get asked a lot of questions regarding the school auction projects i've done over the years, so i thought it would be good to just share here... every year, i offer my photography services for my kids' school auction projects. some years it's been framed portraits of each child. other years a book. and sometimes both.

and through the years, i've learned a ton!!  typically, it goes something like this...

i take a few photos of each student in the class. i do this somewhere on the school grounds. somewhere with great light. and a good background.  i try to get the child as comfortable (and natural) as possible. for me, this is an extremely important step.  i usually only have a minute or two with each child, so i have to work fast.

while i'm taking photos, the students are doing something nearby (reading books, being read a story, etc.).  i take the children one by one and do my best so it's just me and the child, with no others watching.

i also take a few photos of the group of students together. sitting. standing. whatever works with the location.

last year, i also took some photos of the children within the classroom but it doesn't always happen that way.  but, last year wasn't an auction book; it was an end of year gift from me.

after the photos, i work with the teacher in getting the children to write about a topic or a question and draw a picture. this varies from year to year, depending on the school, the teacher, the child's age, etc. for me, it has greatly varied because the past three years have been three completely different schools (in three different states). one year, at a lutheran preschool, the children drew a picture of what they thought Heaven looked like and then the teachers asked them the question, "what does Heaven look like and what do they think is in Heaven?" this year, the question is, "what do you want to be when you grow up and why?" with the younger kids, it's necessary to transcribe what they say. if this is the case, i stress the importance of capturing every single word because it adds as much of the child's personality as possible to the project.

i then design the book, however i see fit for the photographs, drawing, writing, etc. i do this through blurb because it would be too expensive to use the book company i use for my photography business.

the auction itself can be run in many different ways.  i'm sure there are other ideas out there but these are how the auctions, which i have been involved with in the past years, have run: - you can print one or two books and auction off the books. this year, i am adding an 11x14 print to the auction so the highest bidder will get the book and a print. - you can have the books available via a blurb store. with the store, you can set the price so the book price can be set for xx dollars over the printing cost and then all the profit can be donated to the school. - you can auction off one book. and then you could ask the parent winner if they would be okay with selling the book to other parents for the same auction price. again, all the money (after paying printing cost) is donated to the school. - i even worked with a school, where the teacher loved the book so much, she just wanted every parent possible to have it and so we sold the book at cost.

one of the tricky parts is getting reimbursed by the school.  this year, the room parent is getting pre-auction donations from the parents, which will cover the cost of printing.  this is a huge treat because in the previous years, i've donated my time and the printing of the book | prints.  just something to think about.

with the framed portraits, a parent or parents donated the frames. the framed prints were then auctioned for a set price (in my case, $50 each). so the parents didn't really bid on one item; they bid the set price for their child's framed portrait.  if there are 20 children in the class, this style of auction makes the school $1000.

all my time and prints (when offered) are donated. i absolutely love doing the books and being able to give back to the school.  and the parents and teachers have always loved the books too.  i have my (coffee table) books proudly displayed on my entryway credenza.  and i cherish them so.

i hope this helps. if there's any questions, feel free to ask in the comment section and i will edit the post and answer.

ETA: What was your price point (or profit) per book? the price point (profit) all depends on how high the auction goes, for the standard style auction. i've never sold my books (via a blurb store) to the parents for profit. i think it's best to talk to the teacher, room parent and possibly other parents, to see how many might be interested in purchasing the book. then you can decide how much profit you'd like to make off of each book.

our auction happens very early in the year - is this the case for you? this year, the auction is october 23rd (way early, in my opinion). and with my teaching a workshop oct 1-3 and shooting in san diego oct 13-18, i'm trying really hard to have the book completed by sep 29th.

also, do you advertise your business at all in the books themselves? logo or link to site? i have a page where i have a photograph and then under the photograph, i have -- all photographs taken by deb schwedhelm photography www.debsphotographs.com

for the framed prints of each child...our auction provides a tiny table space for your donated item. did you display all 20 or so prints for bidding? also, what happened to the ones that were not bid on? : / (or were they all bid on?) yes, all the framed 5x7 prints were displayed. and all have been purchased in the previous years, except maybe one and it wasn't at my children's school. i'm not sure what they did with the portrait that didn't sell.

Do you have suggestions for tips on the artwork of students you are going to scan, in terms of size and what they use to draw? i just have them draw on white copy paper and i prefer the kids draw with markers but colored pencils and crayons work too. it's just that the marker shows better, when the papers are scanned. a few other tips -- i like to have the kids sign their artwork or their writing and include their age. also, have them stay away from writing / drawing close to the edge of the paper. don't let them draw on the other side of the paper, as it will show through when scanned.

here's a few screen captures of auction book page spreads (of my kids) that i've done in the past years.

blessed

today, i photographed ryder's kindergarten class, for a book i'm designing for their school auction (oct 23rd) class project.  next week is skyler's class.  i feel so blessed to be able to give back and contribute in this way. while i'd love to share more photos from this morning (i can't because of lack of model release), i share just a couple i captured of ryder.  man, is he tough these days.  i just happened to look over, when i was done photographing another child and i saw this, which melts my heart.  it lasted only a second and i feel so lucky to have captured it.

and then, this photo simply captures him and a bit of who he is at 5-years-old and in kindergarten.  he's a bit of a serious child.  yet as sweet and kind as can be.  and he dresses himself every morning and insists on wearing long socks.  they're always pulled up as far as he possibly can and many times, up to his knees.  he is who he is and i fully embrace every bit of it.

i so love what i do and am so darn grateful, i could scream.  as i've said before, i feel we are blessed with this gift to photograph...and i'm a firm believer in giving back whenever possible with this awesome gift we've been blessed with.  donating my time to school auctions is one of the ways i so love to give back.

how about you...what ways do you give back with the gift you've been blessed with?

it's a sad day

...when you go to ebay and you see that polaroid 600 film is $5-plus per PICTURE.  in other words, one pack of polaroid 600 film is $50+ plus shipping. when i first started shooting polaroid with my SX70 camera, it was $1.50 per picture and that wasn't all that long ago. when i left kansas (in june), it was $3 per picture.

one can purchase 600 film from the impossible project WHEN they have it; it's out of stock most of the time.  and my last pack from there was terrible -- very yellow and almost every photo was...well...very yellow and not so great.  so i'm not that confident in 600 film from the impossible project at the moment.  although i've had my fair share of bad polaroid film from ebay too.

i've also tried TZ artistic and PX polaroid film and i'm just not a fan.

i'm sad as i seriously long to shoot 600 film with my SX70.

it all makes the polaroids that i have that much more amazing. and it makes me adore my instant recall gallery that much more.  i might just have to frame a polaroid or two in our new house (aka the mini-castle).

in closing and with a tear in my eye, i share a few of my polaroid favorites...

p.s. okay, maybe no tears but i really am sad.

p.s.s. on a most-incredible-happy note, we're officially closing on the mini-castle tomorrow.  walk-thru in 15 minutes.  :-)))

art of photography show

i didn't make it into the art of photography show this year, which is okay...anyone who's submitted to exhibitions knows that you win some and you lose a hell of a lot more.  but how cool is it that KPBS selected my photo to use in their this year's art of photography show write-up. if you're in san diego, i highly recommend attending the show.  i will definitely be visiting the show, when i'm in san diego for my client sessions, this october.  i wish i was going to be there on august 29th, to hear natashan egan's (juror) talk.  i so loved hearing the juror speak last year.

i'm not sure i'll ever have an image quite like this one -- special, for so many reasons!!